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Vous avez sélectionné:
Moon Over the Mountain Pass
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Moon Over the Mountain Pass (Guan Shan Yue) - solo guitar
Guitare notes et tablatures
Guitar Tab - Intermediate - Digital Download Composed by Chinese traditional. Arranged b…
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Guitar Tab - Intermediate - Digital Download Composed by Chinese traditional. Arranged by Jack Evans. World, Folk, Asian. Score, Solo Part, Tablature. 2 pages. Published by Jack Stanley Evans
The guqin is an ancient Chinese instrument with seven strings and a warm, sonorous low register; Moon Over the Mountain Pass is a traditional guqin composition based on a poem by the Chinese poet, Li Bai. It represents soldiers on the battlefield longing for the comforts of their home and family.
In order to play this piece in the same key as the original, and more accurately achieve a guqin-like sound, the guitar should be tuned to drop C: CGCFAD, however, it has been notated in drop D tuning for ease of reading. Make sure the harmonics and open strings ring clearly, and perform all of the slides with attitude; this is an important part of the guqin sound.
$4.99
4.66 €
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Guitare notes et tablatures
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Chinese traditional
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Jack Evans
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Moon Over the Mountain Pass
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Jack Stanley Evans
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SheetMusicPlus
Moonlit Night on the Spring River - solo guitar
Guitare notes et tablatures
Guitar - Level 5 - Digital Download SKU: A0.964321 Composed by Chinese traditional.…
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Guitar - Level 5 - Digital Download SKU: A0.964321 Composed by Chinese traditional. Arranged by Jack Evans. Folk,World. Guitar Tab. 9 pages. Jack Stanley Evans #6274353. Published by Jack Stanley Evans (A0.964321). One of the most famous pieces of Chinese classical music, this composition was originally written for solo Pipa and has been popular since the Ming Dynasty (1368-1644). It was previously known as Pipa of Xunyang, and Flute and Drum Music at Dusk, before it was given its current name in 1925. The name Moonlit Night on the Spring River is derived from a Tang Dynasty (618-907) poem by Zhang Ruoxu, which is very well regarded in China. The poem describes a scene of moonlight reflecting on the surface of a river in spring.Moonlit Night on Spring River is written in a multi-sectional form, with each section noticeably different to the others but with some recurring phrases which tie the whole composition together. Although it was originally composed for pipa, this guitar arrangement is based on a version for guzheng, which is a relative of the guqin, but with 21 strings and moveable bridges. The tuning for this arrangement is DGBEAD, from the lowest to highest string. As with Moon Over Guan Mountain, this arrangement is scored one tone higher, as if the third and fourth strings have been detuned by a semitone. I used a mixture pick, fingers, and hybrid picking to play this arrangement, with the fast, single note lines played with a pick and the loud chordal passages with hybrid picking. The quieter sections use fingers only.
$6.99
6.52 €
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Guitare notes et tablatures
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Chinese traditional
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Jack Evans
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Moonlit Night on the Spring River - solo guitar
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Jack Stanley Evans
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score â piano, vln, cel) MO160APiano Score (parts available)Music by Mark OâConnor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, Iâm Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark OâConnor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. OâConnor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadnât been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composerâs manuscripts.Music editing, copying and engraving by Mark OâConnorusing Finale on Apple Macintosh 2003 Composed by Mark OâConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark OâConnor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
20.99 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part â piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark OâConnor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, Iâm Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark OâConnor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. OâConnor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadnât been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composerâs manuscripts.Music editing, copying and engraving by Mark OâConnorusing Finale on Apple Macintosh 2003 Composed by Mark OâConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark OâConnor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
14 €
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Mark O'Connor
#
Johnny Cash
#
Piano Trio No. 1 "Poets and Prophets"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by …
(+)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part â piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark OâConnor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, Iâm Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark OâConnor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. OâConnor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadnât been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composerâs manuscripts.Music editing, copying and engraving by Mark OâConnorusing Finale on Apple Macintosh 2003 Composed by Mark OâConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark OâConnor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
14 €
#
Mark O'Connor
#
Johnny Cash
#
Piano Trio No. 1 "Poets and Prophets"
#
Mark O'Connor Musik International
#
SheetMusicPlus
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